Mina Nogueira
Artist
Mina Nogueira (2000), a young multidisciplinary artist, graduated in Fine Arts at the UCM and with a Master’s degree in Artistic Production at the UPV. Her work explores urban public space and automation, including artificial intelligence as a creative tool.
exposicion
Thinking the city
The call “Thinking the City” calls for emerging artists who, through their work, reflect and dialogue on the contemporary city, offering unique perspectives on their real experiences, research and desires, from a critical awareness. The initiative aims to give voice to visions that offer a new reading of urban landscapes and societies.
We have had an exceptional jury:
asun rodríguez montejano. Comisaria
Elba Benítez. Galería Elba Benítez
Carlos Garaicoa. Artista
Javier Aparicio. Galería El Chico
Paco de Blas. Gestor Cultural
Carlos Alvarez. Editor. Piece with Artist
Silvia Hengstenberg. ART U READY y The Sibarist
After carefully analysing each proposal received, we are pleased to announce the names of the artists selected in the first call for emerging artists,
‘Thinking the city’.
There has been a very high standard and it has not been easy to make the decision.
The shortlisted artists are (in alphabetical order):
Carme Aliaga Perera
Daniel Barrio
Sebastián Bayo
Paula Botella Andreu
Solange Contreras Pavez
Julia Grunberg
Stefanie Herr
Delfina Inés Giacomo y Wanda Acevedo
Rodrigo Moreno
Mina Nogueira
Chema Rodríguez
Dayana Trigo
Invernadero The Sibarist
San Lorenzo, 11
He has participated in several exhibitions, including a group exhibition ‘El Escenario Urbano’ at the Biblioteca del Mar with a collaborative work of installation of micro-essay registers on the expropriation of land in the Valencian huerta and others such as ‘Sorolla, una nova dimensiò’ or ‘Dalí Cybernetic’ with audiovisual works of AI.
The project presented explores the interaction between art and urban space, using the Moncloa Arch as a case study. This Francoist monument in Madrid, which has been the object of graffiti and youth activities such as skateboarding, is transformed into a recycled wooden toy, creating modules that allow skating with ‘fingerboards’, seeking to question and re-signify its original purpose. The installation presents the toy together with a video that contrasts DIY culture and commemorative events, as a form of peaceful protest that vindicates the citizen’s right to public space. This work speaks, then, of monument, historical memory and the right to the city through artistic practice, taking advantage of strategies such as play, reappropriation and observation of our everyday environment.