Delfina Di Giacomo (2001) and Wanda Acevedo (2001), Argentinean students of Image and Sound Design (FADU, UBA), met while working on the documentary short film ‘Albores’, which Acevedo directed and Di Giacomo edited. They both did the sound design for the film.
The call “Pensar la Ciudad” (Thinking the City) called on emerging artists to reflect and dialogue on the contemporary city through their work, offering unique perspectives on their real experiences, research and desires, from a critical awareness. The initiative sought to give voice to visions that offered a new reading of urban landscapes and societies.
We have had an exceptional jury:
asun rodríguez montejano. Comisaria
Elba Benítez. Galería Elba Benítez
Carlos Garaicoa. Artista
Javier Aparicio. Galería El Chico
Paco de Blas. Gestor Cultural
Carlos Alvarez. Editor. Piece with Artist
Silvia Hengstenberg. ART U READY y The Sibarist
After carefully analysing each proposal received, we are pleased to announce the names of the artists selected in the first call for emerging artists,
‘Thinking the city’.
There has been a very high standard and it has not been easy to make the decision.
The shortlisted artists are (in alphabetical order):
Carme Aliaga Perera
Daniel Barrio
Sebastián Bayo
Paula Botella Andreu
Solange Contreras Pavez
Julia Grunberg
Stefanie Herr
Delfina Inés Giacomo y Wanda Acevedo
Rodrigo Moreno
Mina Nogueira
Chema Rodríguez
Dayana Trigo
In 2022, together they began the research that would later become ‘Urdimbre: morphologies and identity in public space’, an experimental video essay on human behaviour and conditioning in the public sphere. Both projects toured independent exhibitions and festivals in Buenos Aires, being presented in the fourth edition of the Muestra Magma (2022), in the first Amorina Cine Bar short film festival (2023) and in the 12th edition of Cajeta de Pandora (2023). Recently, Di Giacomo premiered ‘Repercusión’, an animated short film, at the second edition of the Ezeiza Film Festival. Acevedo also presented his latest project ‘Periferias’ at the Vereda Sur festival. ‘Urdimbre’ explores how lines, paths and forms in public space reflect a continuous network of circulation. Motivated by visual curiosity, the team identified an analogy between wool fabrics and public spaces, where constant mobility induces a forward-moving behaviour without the possibility of stopping or retreating without breaking the flow. This phenomenon in ‘non-places’ – impersonal, automated spaces – leads to a loss of individual identity. The project seeks to reclaim these urban spaces, promoting an active and conscious connection with them.’