ARRIBA
REMED

REMED

Guillaume ALBY, aka REMED (Paris, 1978. Lives in Suances, Cantabria). Remed’s work has a unique and immediately recognizable quality, both in its micro and macro manifestations. He seeks to find truth through simplicity, using a universal language of form and color. He has led graffiti workshops in schools and social institutions for children, notably including his work at the Children’s Museum of the Arts in New York in 2011. His style is inimitable.

He has participated in both solo and group exhibitions around the world. Murals bearing his signature can be found across four continents. His was the first exhibition with which we launched in 2016, and we are commemorating these ten years with a new show by the artist, now fully established.

http://remed.es/
ACTIVITIES IN WHICH IT TAKES PART:
exposicion

LUMIÈRE DE L´ÂME

From: 02 Mar 26 To: 27 Feb 26

“La Lumière de l’Âme” is a vision of the world, a way of understanding how it is organized and what place the human being occupies within it. REMED’s work connects with collective memory and with a shared consciousness that situates us as part of a greater whole.

Within his visual universe, a distinct territory takes shape where a sensitive order emerges: a system of meaning revealed through an intimate, coherent, and recognizable language that runs throughout his entire body of work. This vision is built from the origin. Woman appears as a primordial archetype, a creative principle. The body is presented as a threshold where life begins and as a sphere of containment where consciousness resides and interacts temporarily with matter before returning to the origin. Woman is the source: the place where the beginning dwells. Within her, the memory of life is concentrated.

INVERNADERO THE SIBARIST

San Lorenzo, 11

Guillaume ALBY, aka REMED (Paris, 1978. Lives in Suances, Cantabria). Remed’s work has a unique and immediately recognizable quality, both in its micro and macro manifestations. He seeks to find truth through simplicity, using a universal language of form and color. He has led graffiti workshops in schools and social institutions for children, notably including his work at the Children’s Museum of the Arts in New York in 2011. His style is inimitable.

While his production of indoor paintings continues to grow, he maintains a strong presence in the urban environment in a highly experimental way, inscribing messages and philosophical calligraphy (often in chalk) on city walls. For him, art is understood as a way of healing the soul, curing the mind — a very public, outward form of therapy.

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